During 2013 Sydney Film Festival, Mia attended the “Stoker” premiere held at the State Theatre on June 7 where she was joined by film’s director Park Chan-Wook. Mia opted for a simple look, wearing a black Miu Miu dress with an embellished collar and nipped in waist.
In the visually stunning, stunningly perverse “Stoker”, Mia Wasikowska stars as a special teenage girl who finds herself very much alone after her father’s sudden death. Trapped in a home with her needy mother (Nicole Kidman), a mysterious Uncle Charlie (Matthew Goode) whom she never knew existed, and an eerily enhanced sense of sound, Wasikowska’s India Stoker is forced to acclimate to a twisted new family dynamic. The film, which is the English-language debut of South Korean auteur Park Chan-wook, made its world premiere at Sundance Sunday night. And while some critics took issue with minor holes in the plot and a supporting role for Nicole Kidman that could have been made more substantial, its arresting cinematography (by Chan-wook collaborator Chung-hon Chung) compensates for any shortcomings. Full of oblique angles, a pastel palette to offset the morbid story, and creepy cutaways (one extreme close-up shows India sharpening the blood-soaked pencil she just used as a weapon), the film is always lovely to watch, even during its most disturbing sequences.
Equally lovely and disturbing is Wasikowska’s performance as an 18-year-old who finds herself inexplicably attracted to her strange uncle, despite the fact that she does not like to be touched. (Their chemistry is teased in one erotically charged piano duet that leaves her panting.) With her particular cocktail of eccentricities, horror appeal, and Sissy Spacek complexion, Wasikowska recalls another seemingly shy high-school character profiled on film: Carrie, the Stephen King heroine who wreaks havoc on her hometown. They aren’t carbon copies—India does not have telekinetic powers or a Christian-fundamentalist upbringing. But like Carrie, India has an unstable mother, is relentlessly bullied at school, and crosses that fine line between sheltered innocence and a frighteningly violent nature. She gets revenge on a few classmates, is sexually confused, lacks a father, and is a loner. India also appears in a dramatic shower scene that depicts a pivotal moment in her physical maturation. It does not involve blood or fellow classmates, but it occurs after a gruesome event and is Wasikowska’s boldest scene. Read the rest of this entry »
India Song: Park-wook’s English Language is Stylized Creepy and Kooky
Park Chan-wook StokerSouth Korean master Park Chan-wook returns with his English language debut, Stoker, a heavily stylized mystery thriller that’s a grotesquely decorated façade with a heart as cold as ice. Based on a screenplay by actor Wentworth Miller (and contributing writer Erin Cressida Wilson), and featuring a dazzlingly assembled cast, there’s a conglomeration of odd elements at hand here, creating a final product that feels as banal as it is strange, and as foreign as it is mainstream. Presenting itself as a densely constructed narrative, the film instead reveals itself to be a simple tale made more complicated by the way it’s edited together. Operating mostly on its significant use of slow burn narrative and creepy details, it reaches a fast boil in its final frames, which may be too little and too late for most audiences. But one can’t deny the broody elements of the film that come back to tease and haunt.
On her eighteenth birthday, India Stoker’s (Mia Wasikowska) father Richard (Dermot Mulroney) dies in a terrible car accident, and she’s left alone with her distant mother, Evie (Nicole Kidman). After his funeral, Richard’s mysterious brother Charlie (Matthew Goode) appears, who only the housekeeper Mrs. McGarrick (Phyllis Somerville) uneasily seems to recognize. He ingratiates himself upon Evie and India, and seems to have a particular fascination with everything India does. A pale and precocious child that has a phobia of being touched, India seems alarmed and intrigued at the flirtatious interests of her uncle, and they both share a preternatural audio ability. On the other hand, Evie seems extremely warm to the advances of the handsome Charlie and barely notices when Mrs. McGarrick suddenly disappears, and doesn’t seem suspicious when an unexpected visit from Aunt Gin (Jacki Weaver) also ends mysteriously. While India gets involved in a precarious relationship with Whip Taylor (Alden Ehrenreich), a boy at school, the mystery surrounding Charlie’s dark past slowly start to surface. Read the rest of this entry »
I’m so sorry for not updating, but I was busy with my real life. Anyway, in the meantime Mia attended the 2013 Sundance Film Festival were she was seen out & about and at “Stoker” related events including “Stoker” premiere. I’ve added all the missing event photos as well as portrait sessions to the gallery, enjoy!
After India’s (Wasikowska’s) father dies in an auto accident, her Uncle Charlie (Goode), who she never knew existed, comes to live with her and her emotionally unstable mother (Kidman). Soon after his arrival, she comes to suspect this mysterious, charming man has ulterior motives, but instead of feeling outrage or horror, this friendless girl becomes increasingly infatuated with him.
Filming has started on “Stoker”, a thriller being directed by Park Chan-wook. The cast includes Mia Wasikowska, Matthew Goode, Nicole Kidman, Dermot Mulroney and Jacki Weaver.
“Stoker” was written by Wentworth Miller, an actor best known for his starring role on Fox’s Prison Break series. He wrote the script for “Stoker” under a pseudonym, Ted Foulke, but now the secret’s out as who the writer really is.
Fox Searchlight will release the film, and they describe the film’s story like this:
“After India’s (Wasikowska’s) father dies in an auto accident, her Uncle Charlie (Goode), who she never knew existed, comes to live with her and her emotionally unstable mother (Kidman). Soon after his arrival, she comes to suspect this mysterious, charming man has ulterior motives, but instead of feeling outrage or horror, this friendless girl becomes increasingly infatuated with him.
Year: 2013 As: ? Status: Pre-production Director: John Crowley
Two women from different backgrounds strike up a relationship in 1950s New York. Based on Patricia Highsmith's book "The Price of Salt."
Year: 2013 As: Emma Bovary Status: Pre-production Director: Sophie Barthes
The beautiful wife of a small-town doctor engages in extra marital affairs in an attempt to advance her social status.
Year: 2013 As: Robyn Davidson Status: Pre-production Director: John Curran
A young woman goes on a 1,700 mile trek across the deserts of West Australia with her four camels and faithful dog.
Only Lovers Left Alive
Year: 2013 As: ? Status: Filming Director: Jim Jarmusch
A story centered on two vampires who have been in love for centuries.
Year: 2013 As: India Stoker Status: Completed Director: Chan-wook Park
After India's father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him.
Year: 2012 As: Hannah Status: Post-production Director: Richard Ayoade
A comedy centered on a man who is driven insane by the appearance of his doppleganger.
Year: 2012 As: Bertha Minnix Status: Completed Director: John Hillcoat
Set in Depression-era Franklin County, Virginia, a bootlegging gang is threatened by a new deputy and other authorities who want a cut of their profits.
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